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And while the library doesnвЂ™t have the variety of Independence Free, that in no way detracts from the quality of the included sounds-theyвЂ™re truly representative of EastWestвЂ™s libraries, and thatвЂ™s a very good thing. ThereвЂ™s also no copy protection and no time limitations however, the sample set is limited in that it doesnвЂ™t include surround or close miking, just stage miking. But the 1.71GB sample library and great-sounding instruments are well worth this minimal effort.

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The combination of the VSL sample recordingsВ themselves, VE, VI, and MIR are unmatched.The best VST plugins 2020: the finest synth, drum machine, sampler and effect plugins you can buy right nowДЄctually, the program isnвЂ™t totally free you need to answer a simple online survey (hint: tell вЂ™em you read EQ). There simply is no comparison right now between VSL and any other sample library. And the way those samples have been incorporated into the musically oriented interface of Vienna Ensemble is a crucial element.

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VSL's success is based upon a uniform system of methodical sampling of all instruments that truly covers the full expressive range of each. There is no other sample library that can do that. The VSL version of the Rite of Spring is actually a good performance compared even to live orchestras. But you need to remember - VSL can do those also, but a thousand times better than the libraries that are limited to those. 'But I want to do mindless film scores!' Yes, of course you may.

Especially with the Play engine which is non-existent as an interface compared to Vienna Ensemble's elegance, let alone the samples themselves. It is dependent on being used to do relatively mindless film scores. That libraryВ could never even begin to do such demanding music. Would EWQL be merely a digital travesty ofВ such a work,В with workarounds every few bars? I can answer that for you - yes it would. The question you need to ask yourself when comparing orchestral sample libraries is - couldВ this do the complete Rite of Spring? This is the single most demanding orchestral piece in history, along with some of Mahler's symphonies and a few other less known works. Speaking of 'PLAY' let me tell you-AaaaH!!!!!! lk jjjjjjjjjjjjjjjjjjjjjjjjjjkkkkkkkkkkklj' jlklklklklklklklklklklk jlkjiiiiiiiiiiiiiii0000000000000 I have EWQL products butВ unfortunately I have toВ hose my system down with roach spray before I use it becauseВ their Play engine is so buggy. Even VSL's standard libraries willВ take you a long way. As Noldar pointed out, you shouldn't have to be composing for the samples.

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VSL's software is so much more intuitive and user friendly. The reason for this is, of course, their studio where they record everything dry and pure enabling you to create your own sonic environments. You can do big Hollywood scores, small intimateВ chamber pieces withВ various setting arrangements, experimental avant-garde stuff, Pop music, Jazz, whatever. If all you do is bigВ in-your-face Hollywood styled film scores EWQL will, at least, get you there.В But it won't get you anywhere else. Not to play DogВ Pile on EWQL but the reason I never went with them for orchestral samples is because they seemed toВ me to be a one trick ponyВ in that regard. All in all EWQLSO is like an instant 'orchestra-in-a-box' where VSL gets a lot more specialized and detailed. Even EWQLSO's close mics don't sound entirely dry.

I'm a fan of the second option because I might want one piece to sound like it was recorded in a hall but another piece to sound like it was recorded in a large studio, or I might want a more dry soloist. Lastly some people prefer samples recorded in a hall or ambient space (like EWQLSO) and others prefer dry samples so that they can apply their own reverb and get the samples into whatever space they choose (like VSL). VSL's libraries come with sampled legato meaning that you get real recorded transitions between notes. EWQLSO does not have legato samples-they have a legato script, but it doesn't always sound great, and they have 'QLegato' patches, which are really just patches with the attacks cut off.

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It allows a melody to sound like a fluid series of connected notes rather than separate samples joined together. Some people might disagree with me, but legato is a big dealВ in my opinion. Also the modwheel dynamics of VSL are vastly superior to those of EWQLSO because they are also consistent, or for those who don't like crossfaded dynamics VSL also has a lot of very practical 'dynamic' recordings. With VSL you always know exactly which articulations you'll have. EWQLSO is not, you'll have different articulations for instruments in the same section as one another, some instruments have modwheel-controlled dynamics and others don't, etc. First and foremost, VSL is unbelievably consistent.